How to play "Vienna" [Tabs] on acoustic guitar
\==================================
Song Overview:
Key: Bb major
Capo: No capo required
Difficulty: Advanced (due to complex chord voicings and transitions)
Tuning: Standard (E A D G B E)
Chords Used:
- Bbaug (x10332)
- D7 (xx0212)
- Eb (x65343)
- Ebm/Gb (2x1342)
- F7 (131211)
- Gm (355333)
- F (133211)
- Ab (466544)
- C (x32010)
- D9sus4 (xx0213)
- D (xx0232)
- Am (x02210)
- Dm/A (x00231)
- Bb/F (1x3331)
- Am7 (x02010)
- Gm7 (353333)
- C7 (x32310)
- Gb7 (242322)
- G7 (320001)
Strumming Pattern:
Strumming: 63 bpm
Suggested: Down-down-up-up-down-up
Use gentle dynamics, leaning into the soft pulse of the piano for moodiness.
Alternate with light fingerpicking if you prefer a more intimate style.
Sections Breakdown:
Intro:
| Bbaug | D7 Eb | Ebm/Gb F7 | Bb |
Set your tone here: moody, spacious. Take your time on chord transitions.
Let that F7 linger before settling into Bb. Aim for soft touches.
Verse 1:
Gm - Bb - F - Ab - Eb - Bb - C - D9sus4 - D
Gm - Bb - F - Ab - Eb - Bb - Am - D9sus4 - D
Feel the narrative. Joel’s lyrics live in tension—mirror that with intentional pauses.
Barre chords dominate, so break practice into two-chord mini-cycles to reduce fatigue.
Chorus:
Eb - F - Bb - Dm/A - Gm - Bb/F
Eb - Am7 - D7 - Gm7 - C7 - Gb7 - F - Bb
This is emotionally pivotal. The Eb to F shift should swell. Pull back gently on Bb.
Gb7 creates beautiful tension before resolving to F. Hit it clean and let it ring.
Verse 2:
Same chords as verse 1. If your hand gets tired, consider using a capo on the 3rd fret,
transpose chords to easier Em-based shapes.
Instrumental:
| Gm Bb | F Ab |
| Eb Bb | Am D9sus4 D |
Reflective pause here. Play lighter, slower. Let each chord have breath.
Final Chorus and Tag:
Repeat previous chorus. End with:
G7 - Gb7 - F - Bbaug
Big flourish on G7. That final Bbaug? Milk it. Tension and release in one gesture.
Common Mistakes:
- Fretting barre chords incorrectly—watch thumb position and wrist angle.
- Rushing tempo—stay slow and measured, resist excitement.
- Sloppy transitions on F7 and Gb7—use slow practice loops.
General Tips:
- Tune carefully, intonation is critical on jazzy chords.
- Use flatwound or coated strings for smoother slides.
- Practice each chord change in isolation 5-10 times.
- Record yourself—listen for pacing and emotional delivery.
Song Facts:
"Vienna" is the hidden track in Billy Joel’s 1977 album *The Stranger* that,
for many fans, rose as an unexpected masterpiece. Inspired by Joel’s father,
who had returned to Vienna after divorce, the song is Joel’s meditation on
slowing down in a world obsessed with productivity and haste.
Each verse calls out different types of ambition: juvenile overdrive, romantic
disillusionment, and pride-fueled blindness. That line *"Vienna waits for you"*
It isn’t just a platitude—it's a plea. A reminder that something calmer and wiser
exists, if you’ll stop sprinting.
Lyrically, every phrase is surgical. Joel isn’t vague—he uses sharp imagery
("take the phone off the hook") to drive home life advice that feels intimate,
not preachy.
Musically, it borrows from Weimar cabaret and classical European pop—chord
progressions reminiscent of a pre-rock era, with jazz voicings giving each
moment a timeless feel. The song remains a cult favorite among Joel fans,
despite never charting like "Piano Man" or "Just the Way You Are."
The third chorus is a turning point—it wraps the existential tension with
quiet acceptance. Not resignation, but gentle redirection. "Vienna waits for you" becomes not a scolding, but a soft encouragement to live more wisely.
Song Meaning:
This is a lullaby for the burned-out. Each verse is a mirror held up to modern
striving. Joel sees the young person—perhaps himself, perhaps you—chasing
every goal at once. The lines *"You're so ambitious for a juvenile"* and *"You
can't be everything you want to be before your time"* are truths most learn
late.
"Vienna" symbolizes patience, peace, and the things we ignore in youth. Joel
contrasts American urgency with old-world stillness. The bridge about pride
and satisfaction cautions against letting ego blind you.
By the final chorus, the mood is almost resigned, but not cynical. It’s as if
the speaker is older, watching the younger self with both affection and worry.
The final tag is almost whispered: "When will you realize... Vienna waits for you."
Comparisons to previous works:
"Vienna" is quieter and more introspective than Joel’s breakout hit "Piano Man,"
which focuses more on others. "Just the Way You Are" is romantic and external;
"Vienna" is personal and reflective. It lacks the satire of "Movin' Out"
and instead chooses depth over narrative.
Its composition hints at classical structures unlike the pop-rock forms of his
other singles. You can feel echoes of “She's Always a Woman” in tone, but
"Vienna" is heavier with melancholy. It’s one of Joel's most compositionally
sophisticated songs—and emotionally naked.