Whitechapel - Possibilities Of An Impossible Existence Tabs

Tuning: Drop G 7 string (GDGCfad)

This plays though the first riff idea until the verse

|-----------------|
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|-999999999999999-| gradually bend up 1/2 step then gradually release. Listen to song to figure out 
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|-777777777777777-|
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First/main riff idea

|----------------------------------------|----------------------------------------|play twice, but when you
|----------------------------------------|----------------------------------------|get to D# chord in  
|----------------------------------------|----------------------------------------|second half of riff
|----------------------------------------|----------------------------------------|let ring, then follow 
|-7---7-10-7-7/8-7-7/8---7-7/8---7-7/8-5-|-7---7-10-7-7/8-7-7/8---7-7/8---7-7/8-5-|with C# chord, then into
|-5-0-5-8--5-5/6-5-5/6-5-5-5/6-4-5-5/6-3-|-5-0-5-8--5-5/6-5-5/6-8-5-5/6-6-5-5/6-3-|verse riff
|---0------------------5-------4---------|---0------------------8-------6---------|


Verse Riff (at D# note at end of riff, play x5, I didn't have enough space)

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|-----------------------------------------------------------------------------------------------------------|
|-----------------------------------------------------------------------------------------------------------|
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|----------------------------------5------------------------------------5------6-4-4-4-4-5------6-4-4-4-4-1-|
|-00-00-00-00-00-00-00-00-00-00-00---0-00-00-00-00-00-00-00-00-00-00-00---0-00-------------0-00-------------|

|--------------------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------------------|
|----------------------------------5----------------------------------5----------------------------------|
|-00-00-00-00-00-00-00-00-00-00-00---00-00-00-00-00-00-00-00-00-00-00---00-00-00-00-00-00-00-00-00-00-00-|

Lead part (listen to song to find where it is

|--------------------------|--------------------|
|--------6----|--6---------|--------------------|
|----9--------|-------9----|-5---4-----5---4----|
|-7-----------|------------|---7---6-----7---6--|
|-------------|------------|--------------------|
|-------------|------------|--------------------|
|-------------|------------|--------------------|

|----------------------------------|
|----------------------------------|
|----------------------------------|
|----------------------------------|
|----------------------------------|
|-00-00-00-00-00-00-00-00-00-00-00-|
|-00-00-00-00-00-00-00-00-00-00-00-|
  ** ** ** ** ** ** ** ** ** ** **

Chorus guitar 1              chorus guitar 2            

|--------------------------|--------------this is----|
|--------------------------|-10--12--8-15-played-----|
|--------------------------|--------------with rapid-|
|--------------------------|-7---9---5-12-strumming--|
|-0-----8-----3-----10-----|-------------------------|
|-0-----8-----3-----10-----|-------------------------|
|-0-----8-----3-----10-----|-------------------------|       listen for timing with all guitars

Chorus guitar 3

|----------------------------------------------------------------|
|-10-12-13-10-12-13-10-12-13-10-12-13-8-13-12-8-13-12-10-15-8-13-|
|----------------------------------------------------------------|
|-7--9--10-7--9--10-7--9--10-7--9--10-5-10-9--5-10-9--7--12-5-10-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|

    harmonics (listen to where this comes in. It is in the gap where only vocals and drums are)

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|-<9999999999999999999999>--|
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Chug open strings near outro and use first fret at end of each run except second run, use third and first
fret. 
I'm not sure what pattern is.

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|-10---11---15---19---18-| these octave chords are used over the second run of the chugging. 
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|-7----8----12---16---15-|
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