Antonio Lauro - Venezuelan Suite - No 1 - Registro Preludio Tabs

Comment: Accoustic Guitar mailing list

Greetings,

My conscience finally got to me and I feel the need to start to repay all
the people whose tab I've stolen from this list and else where.

This serves as my first attempt at ASCII tab.  It may seem a
little crowded, but I didn't want to split up individual bars,
nor did I want just one bar per line.

The @ signs at bar 15 are meant to look like a repeat symbol :')
but they don't do a very good job.  

About the piece itself.  It is called Registro, and it is by
Antonio Lauro.  It is one of my favourite pieces in the whole
classical repertoire.  

Rhythmically, the entire piece is straight sixteenth notes, but,
all the way through the piece calls for rubato.  It is not meant
to be played metronomically.

Have fun.
*****************************************************************
                            Registro
                        by Antonio Lauro
Stephen Bondy

s=slur, pull or hammer depending
sl=slide

1           s                                    sl  s       s
|----------2-0------s-------------|-----------4-7--11-9-----8-6------|
|--------------0---2-0------s-----|---------4-----------9----s--6----|
|@-------1-------1-----1---2-1----|-------4---------------9-8-6---6--|
|@-----2-----------------2-----2--|-----4-----------------------6----|
|----2---------------------------2|---6-------------0-------------8--|
|--0------------------------------|-4-----------------------6--------|

3
|----------------------------------|----------0-----------0----------|
|-----0--------0--------0-------0--|--------3-----3-----3---------3--|
|-------0--------0--------0-------0|------0-----0-----0---------0----|
|---0-------0---------0-------0----|----4-----------4---------4------|
|----------------------------------|--2---------------------2--------|
|-8-------9--------10-------7------|0--------------------------------|

5
|-----------0-----------0---------|----------0-----------0-----------|
|---------3-----3-----3---------3-|--------0-----0-----0---------0---|
|-------0-----0-----0---------0---|------2-----2-----2---------2-----|
|-----4-----------4---------4-----|----0-----------0---------0-------|
|---2---------------------2-------|--3---------------------3---------|
|-0-------------------------------|1---------------------------------|

7                      s
|---------------------2-0------s--|--s---s---------------------------|
|-------------------0---------5-3-|-3-1-0-1---0--s-------------------|
|------------s-s--0---------3-----|---------2---0-2---0--s---s-------|
|------s-s--0-1-3---------3-------|-----------------3---1-3-0-1--s---|
|--s--0-1-3-----------------------|-0---------------------------1-3--|
|-2-3-----------------------------|----------------------------------|
                                             sug. L.H. fing:  2 1 3or4

9                    s                                           
|------0---7----12-10-8-------s------|------0---5---10-7-------5------|
|--0---------10---------8---10-8-----|--0---------8--------5-------5--|
|----2---7----------------9------9---|----2---5----------5---5---6---7|
|0------------------0--------------10|-0---------------0--------------|
|------------------------------------|--------------------------------|
|------------------------------------|--------------------------------|

11
|-3--------1----------------------|-------------------------0--------|
|-----1-------1-------3-------1---|-0-------0-------0-----3-------3--|
|---2---2---3---3-------5-------3-|---0---0---0---0-----0-------0----|
|-0-----------------4-------2-----|-----4-------4-----4-------4------|
|-----------------0-------0-------|---------2------------------------|
|---------------------------------|-0---------------0----------------|


13                                      ENJOY THIS BAR!!!!!!!
|-------------------------0-------|-----------0---4---0--------------|
|-0-------0-------0-----3------3--|-0-------0---7---7---0------------|
|-------2-------2-----2------2----|-------1---------------1---1------|
|-----0-------0-----0------0------|-----4-------------------4-----4--|
|---3-------3---------------------|---2-------------------------2----|
|-1---------------1---------------|-0--------------------------------|

15                                           s                        
|-----------0---4---0-------------|---------2-0------s---------------|
|---------0---7---7---0-----------|-------------0---2-0------s-------|
|-------1---------------1---1----@|-------1-------1-----1---2-1------|
|-----4-------------------4-----4@|-----2-----------------2-----2----|
|---2-------------------------2---|---2---------------------------2--|
|-0-------------------------------|-0--------------------------------|

               sl    s       s
|----------4-7--11-11-9-----8--6----|---------------------------------|
|--------4--------------9----s---6--|-----0-------0--------0-------0--|
|------4------------------9-8--6---6|-------0-------0--------0-------0|
|----4---------------------------6--|---0-------0--------0-------0----|
|--6----------------0--------------8|---------------------------------|
|4--------------------------6-------|-8-------9-------10-------7------|

                           H. 12 H.5---
|-----------0-----------0------0---|----------------------------------|
|---------0---0-------0------0-----|-0--------------------------------|
|-------0-------0---0------0-----0-|----------------------------------|
|-----4-----------4----------------|----------------------------------|
|---2------------------------------|----------------------------------|
|-0--------------------------------|-0--------------------------------|
                                   (Low E is not
                                   a Harmonic)    

At the very end, that is 3 harmonics at the 12th fret, followed by two
at the fifth fret, just in case my TABbing wasn't clear.

Please, please please enjoy.

Any questions, comments or criticisms or etc., contact

Steve Bondy