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Yardbirds - Got To Hurry Bass

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Got To Hurry Bass

(ver. 2)
Yardbirds
GOT TO HURRY (Bassline)
As recorded by The Yardbirds
(From the 2001 Album ULTIMATE!)



 Words and Music by Oscar Rasputin

 

Gtr I (E A D G) - 'Standard'


    Moderately Q=120(8=s8)
   4/4
    Gtr I
     E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
||--------------------------|-------------------------|
||o-------------------10-11-|-------------------10-11-|
||o-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
||--------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|-------------------------|
|-------------------10-11-|-------------------10-11-|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
|-------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------10-11-|-------------------10-11-|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
|-------------------------|-------------------------|
|-------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|-------------------------|
|-------------------10-11-|-------------------10-11-|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
|-------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E E E
|-------------------------|-----------------------|
|-------------------------|-----------------------|
|-------------------10-11-|-------------------8-9-|
|-12-12-12-12-12-12-------|-10-10-10-10-10-10-----|


                            1.,2.
   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|--------------------------||
|-------------------10-11-|-------------------10-11-o||
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------o||
|-------------------------|--------------------------||


  3.
               |--3--|  |--3--|
   E  E  E  E  E  E  E  E  E  E
|-------------------------------|
|-------------------------------|
|-12-12-12----------------------|
|----------12-12-12-12-12-12-12-|


                    |--3--|                   |--3--|
     E E E  E E  E  E  E  E    E E E  E E  E  E  E  E
||--------------------------|-------------------------|
||o-------------------------|-------------------------|
||o-12-----12---12-12-12-12-|-12-----12---12-12-12-12-|
||--------------------------|-------------------------|


                  |--3--|
   E E E  E E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|-------------------------|
|-------------------------|-------------------------|
|-12-----12---12-12-12-12-|-12-12-12-12-12-12-12-12-|
|-------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------10-11-|-------------------10-11--|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12--------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|-------------------------|
|-------------------10-11-|-------------------10-11-|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
|-------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E E E
|-------------------------|-----------------------|
|-------------------------|-----------------------|
|-------------------10-11-|-------------------8-9-|
|-12-12-12-12-12-12-------|-10-10-10-10-10-10-----|


                            1.
                                         |--3--|  |--3--|
   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E  E  E
|-------------------------|--------------------------------||
|-------------------10-11-|-------------------------------o||
|-12-12-12-12-12-12-------|-12-12-12----------------------o||
|-------------------------|----------12-12-12-12-12-12-12--||


  2.
   E  E  E  E  E  E  E  E
|-------------------------||
|-------------------------||
|-12-12-12----------------||
|----------12-12-12-12-12-||


     E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
||--------------------10-11-|-------------------10-11-|
||o-12-12-12-12-12-12-------|-12-12-12-12-12-12-------|
||o-------------------------|-------------------------|
||--------------------------|-------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|--------------------------|
|-------------------10-11-|-------------------10-11--|
|-12-12-12-12-12-12-------|-12-12-12-12-12-12--------|
|-------------------------|--------------------------|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E E E
|-------------------------|-----------------------|
|-------------------------|-----------------------|
|-------------------10-11-|-------------------8-9-|
|-12-12-12-12-12-12-------|-10-10-10-10-10-10-----|


   E  E  E  E  E  E  E  E    E  E  E  E  E  E  E  E
|-------------------------|--------------------------||
|-------------------10-11-|-------------------10-11-o||
|-12-12-12-12-12-12-------|-12-12-12-12-12-12-------o||
|-------------------------|--------------------------||






Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
            
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