RUBINA (INTRO) (Live)
(From the 2001 Video LIVE FROM SAN FRANCISCO)
Music by Joe Satriani
Arranged by Joe Satriani
Transcribed by James Rodriguez
This is a nice and easy piece. The pattern in which your fingers play the arpeggio,
is repeated for the first 6 bars. You just need to change your root note and play
the same pattern again.
Dynamics:
Accent the first note of each bar and the 2 notes at the peak of the arpeggio
(in the first bar you accent 6(10) and 2(15) 1(17)). Build in volume as you scale
up the arpeggio, then soften the volume as you scale down (crescendo/decrescendo
respectively).
You don't need the music to play this piece, all the notes are 16th's (semi-demi-quaver)
Gtr I (E A D G B E)
Moderately Q=80 bpm
4/4
Gtr I
|----------------------------17-------------------|
|----------------------17-15-------17-------------|
|----------------14-14----------14-------14-------|
|----------14-12----------------------12-------14-|
|----12-12----------------------------------12----|
|-10----------------------------------------------|
Fingering 1 3 1 3 1 3 1 4 1 4 1 4 1 3 1 3
|---------------------12--------------|
|---------------12-10------12---------|
|-----------9-9----------9------9-----|
|-------9-7-------------------7-----9-|
|---7-7---------------------------7---|
|-5-----------------------------------|
|------------------------14-----------------|-------------------9-------------|
|------------------14-12-------14-----------|---------------9-7-----9---------|
|------------11-11----------11------11------|-----------6-6-------6-----6-----|
|-------11-9----------------------9------11-|-------6-4---------------4-----6-|
|---9-9--------------------------------9----|---4-4-----------------------4---|
|-7-----------------------------------------|-2-------------------------------|
|--------------------10--------------|
|---------------10-8------10---------|
|-----------7-7---------7------7-----|
|-------7-5------------------5-----7-|
|---5-5--------------------------5---|
|-3----------------------------------|
|----------------------------17-------------------|
|----------------------17-15-------17-------------|
|----------------14-14----------14-------14-------|
|----------14-12----------------------12-------14-|
|----12-12----------------------------------12----|
|-10----------------------------------------------|
2/4
pause pause
|-------------------------|---------------------|
|----------------------19-|------------------14-|
|----------------16-16----|------------11-11----|
|----------17-14----------|-------12-9----------|
|----14-14----------------|---9-9---------------|
|-12----------------------|-7-------------------|
4/4
|---------------------------------|
|---------------------------------|
|-----------7---6---7---6---7---6-|
|-------7-5---7---5---7---5---7---|
|---5-5---------------------------|
|-3-------------------------------|
Fingering 1 3 1 3 1 4 3 2 1 4 3 2 1 4 3 2
|---------------------------------|------------------------------------------|
|---------------------------------|--------------------------------------19--|
|-----------7---6---7---6---7---6-|-----------7---6----------------16-16-----|
|-------7-5---7---5---7---5---7---|-------7-5---7------------17-14-----------|
|---5-5---------------------------|---5-5--------------14-14-----------------|
|-3-------------------------------|-3---------------12-----------------------|
~~~~ \2.5
|----17-------------------------------|------------------*|
|-15-------17-------------------------|------------------*|
|-------14-------14----------11tr12---|-(11)----(11)-----*|
|-------------12-------14-------------|------------------*|
|-------------------12----------------|------------------*|
|-------------------------10----------|-(10)-------------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************
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