Paul Mccartney - Ever Present Past Bass

#------------------------------------------------------------------------------##

                          EVER PRESENT PAST (Bassline)
                          As recorded by Paul McCartney
                    (From the 2007 Album MEMORY ALMOST FULL)


Gtr I (E A D G) - 'Bass'

  Q=128
 4/4
  Gtr I
  W          W          Q  Q  Q  Q    Q  Q  Q  Q
|----------|----------|-------------|------------|
|----------|----------|-------------|------------|
|----------|----------|-5--5--5--5--|-3--3--3--3-|
|----------|----------|-------------|------------|


  Q  Q  Q  Q    Q  Q  Q  Q      Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------||--------------|-------------|
|-------------|-------------||o-------------|-------------|
|-5--5--5--5--|-3--3--3--3--||o-5--5--5--5--|-3--3--3--3--|
|-------------|-------------||--------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  E E   Q  Q  Q  Q    Q  Q  Q  Q
|-------------|--------------|-------------|-------------|
|-------------|------------2-|-------------|-------------|
|-5--5--5--5--|----------3---|-5--5--5--5--|-3--3--3--3--|
|-------------|-5--5--5------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  E E   Q  Q  Q  Q    Q  Q  Q  Q
|-------------|--------------|-------------|-------------|
|-------------|----------3-2-|-------------|-------------|
|-5--5--5--5--|-3--3--3------|-5--5--5--5--|-3--3--3--3--|
|-------------|--------------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q          Q  Q  Q  Q
|-------------|-------------|--------------||-||-------------|
|-------------|-3--2--3--2--|-3--2--3--5--o||-||o-------5--5-|
|-5--5--5--5--|-------------|-------------o||-||o-3--3-------|
|-------------|-------------|--------------||-||-------------|


  Q  Q  Q  E E  3x Q  Q  Q  Q     Q  Q  Q  Q    Q  Q  Q  Q
|---------------||-------------|--------------|------------|
|-3--3--2--3-5-o||-2--2--2--2--|--------------|-3--3--3--3-|
|--------------o||-------------|--5--5--5--5--|------------|
|---------------||-------------|--------------|------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-3--3--3--3--|
|-3--3--3--3--|-------------|-3--3--3--3--|-------------|
|-------------|-1--1--1--1--|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  E E   Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-2--2--2----2-|-------------|-------------|
|-------------|----------3---|-5--5--5--5--|-3--3--3--3--|
|-3--3--3--3--|--------------|-------------|-------------|
|-------------|--------------|-------------|-------------|


  Q Q Q Q      Q  Q  Q  E E   Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|----------|---2--2--2----2-|-------------|-------------|--------------|
|-3-2-3-2--|------------3---|-5--5--5--5--|-3-----3-----|-3--2--3--2---|
|----------|----------------|-------------|----3-----3--|--------------|
|----------|----------------|-------------|-------------|--------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|
|-5--5--5--5--|-3--3--3--3--|-5--5--5--5--|-3--3--3--3--|
|-------------|-------------|-------------|-------------|


  W          Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  E E
|----------|-------------|-------------|--------------|
|----------|-------------|-------------|------------2-|
|----------|-3--3--3--3--|-5--5--5--5--|----------3---|
|----------|-------------|-------------|-5--5--5------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  E E
|-------------|-------------|-------------|--------------|
|-------------|-------------|-------------|----------3-2-|
|-5--5--5--5--|-3--3--3--3--|-5--5--5--5--|-3--3--3------|
|-------------|-------------|-------------|--------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-3--2--3--2--|
|-5--5--5--5--|-3--3--3--3--|-5--5--5--5--|-------------|
|-------------|-------------|-------------|-------------|


  Q  Q  Q  Q      Q  Q  Q  Q    Q  Q  Q  E E  3x Q  Q  Q  Q
|-------------||--------------|---------------||-------------|
|-3--2--3--5--||o-------5--5--|-3--3--2--3-5-o||-2--2--2--2--|
|-------------||o-3--3--------|--------------o||-------------|
|-------------||--------------|---------------||-------------|


  Q  Q  Q  Q      Q  Q  Q  Q    Q  Q  Q  E E  3x Q  Q  Q  Q
|-------------||--------------|---------------||-------9-----|
|-------------||o-------5--5--|-3--3--2--3-5-o||-2--2-----9--|
|-5--5--5--5--||o-3--3--------|--------------o||-------------|
|-------------||--------------|---------------||-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    W
|-------------|-------------|------|
|-------------|-------------|------|
|-5--5--5--5--|-3--3--3--3--|-3----|
|-------------|-------------|------|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
***************************************************************************************