#This OLGA file is the author's own work and represents their interpretation #
#research. Remember to view this file in Courier, or other monospaced font. #
By Boo Hewerdine
(CAPO 1 )
white.... roses... when I..... always send you
we go.. dancing your eyes are always on the
red.. everyone supposes the name on the card is mine
door.. then I ask you who are you... waiting for...
late night phone call.... whispered voices from another
I was only joking but here comes the punch line right across the
room and when I answer all I get is silence on the other line
floor and if he breaks in we won't be dancing any-more.*(TO CODA)*
and there's your evi- dence there's your evi- dence
Repeat Verse: Then *(TO CODA)*
there's y-o-u-r..evi- dence.there's your evi- dence there's yo--
--ur evi- dence... how can you say that it's impossible...
DD AA DD AA F#mGAA
I don't mind this waiting till midnight
or that your kisses are cold...... I dont mind being left behind
yea.... I just wish I'd been told......your evi- dence.....
your...evi- dence.... your....evi- dence.. how can you say
E DD AA DD AA D A
it's impossible.... there's your evi- dence
your evi- dence... your evi- dence........
BmE DD AA n.C.
how can you say.. it's impossible
Esus= 0 Note 1. the end of verse 2 is kind of tricky,
0 it stops short and goes right into
2 the chorus part under the D & A chords
2 at least that's what it sounds like
2 to me.
Note 2. if you didn't notice this song is
played with a Capo on the 1st. fret.